KIRBY DAY 2025

It's Jack Kirby's birthday!

Without Kirby, there might not even be a comic book business today. We all stand in his shadow. We all build on his foundation. Not just a brilliant artist but one of the greatest storytellers of the 20th century. (Click on this link to read a tribute to Kirby I've posted here a couple of times.)

Happy birthday, Jack...wherever you are! (Probably riding a surfboard across the multiverse and stopping to draw along the way.)

NEAR MINT SPIDEY

Had a wonderful conversation with Omar of the Near Mint Condition podcast, discussing the new DeMatteis-Buscema Spectacular Spider-Man Omnibus and...well, lots of other things. Settle in. This is a long one! 

HAIL APARO

Happy Birthday (a day late) to the great Jim Aparo. I always thought of Aparo as the Sal Buscema of DC: a brilliant, and absolutely dependable, artist/storyteller who never got enough of the high praise he deserved. Everything he touched—from Phantom Stranger to Batman to Aquaman and all those characters who guest-starred in Brave and the Bold—was gold.

I would have loved the chance to work with Jim, but, sadly, it never happened.  

AT LAST!

You say you want to take a deep dive into the soon to be released Spectacular Spider-Man Omnibus, which features my entire run with Marvel Master Sal Buscema? Take a look at the video below, as Omar of the Near Mint Condition podcast guides you through the entire book.

So excited this collection will be out in the world at last!

 

SCOOBY AND SPIDEY

Got home to find advance copies of this massive tome sitting on my porch.

Scooby Apocalypse was my final project with my friend and frequent collaborator, the great Keith Giffen. When Keith first told me about it—the basic premise sprang from Jim Lee's fertile mind—my reply was, "Scooby what?!" But, as I've often said, I would have worked with Keith on anything—Millie the Model, Sgt. Fury, Stumbo the Giant, anything—and so I signed on, little realizing that this weird, unexpected series would evolve into three years of pure creative fun. (The splendid art was provided by Howard Porter, Pat Oliffe, Dale Eaglsham, Ron Wagner, and quite a few others—and I thank them all.)

Delighted the entire run—which actually comes to a definite conclusion, a rarity in comics—has been collected. And deeply sad that Keith's not here to see it.

But wait, there's more!  This just arrived—after years and years of waiting—and I couldn't be happier.

This Spectacular Spider-Man run remains one of my all-time favorite gigs and collaborating with Sal Buscema, one of the absolute Marvel greats and as masterful a storyteller as the medium has ever seen, was a joy in every way. I'm extremely proud of these stories, which dig deep into the psyches of Peter Parker and his cast, and grateful they've finally been collected.

I'm in omnibus ecstasy!

SPOTLIGHT

Brief and to the point: The full audio of my Comic-Con spotlight panel is online and you can listen to it here.  (I added a few pictures from the panel below.)

SPIDER-MAN DAY 2025

Sixty-three years ago a radioactive spider took a bite out of a kid named Peter Parker and the pop culture universe was changed forever. In honor of Spider-Man Day, here's an essay that first appeared here a few years back. Enjoy!

June, 1966. I was standing in the Brooklyn, New York candy store where I bought all my comics and I couldn’t take my eyes off the cover of Amazing Spider-Man #39: There was the Green Goblin gliding through the sky dragging a bound and defeated Peter Parker—his Spider-Man costume visible beneath his street clothes—behind him. To my twelve-year-old eyes—conditioned as they were to the pristine DC Comics of the day—this was mesmerizing. A villain who’d actually unmasked the hero! A hero so utterly helpless! As with all great comic book covers, this one fired up my imagination. I didn’t even have to read this story: that single illustration, brought to vibrant life by the incomparable John Romita, Sr., suggested dozens of incredible tales that played out in my head. (This, I later learned, was Romita’s first issue of Amazing Spider-Man. It looked like he’d been drawing the book all his life.)

I was still a hardcore DC fan then—there was something spooky, almost dangerous, about those early Marvel Comics and I wasn’t quite ready to take the leap—so I resisted buying that issue; but a month later I gave in to temptation and purchased the story’s conclusion: I was, as the British say, gobsmacked. Stan Lee’s scripting was so exciting, so nakedly emotional. And Romita’s interior art—with his dynamic layouts and impeccable storytelling—was every bit as irresistible as the cover that had enchanted me thirty days before.

I tracked down the first chapter, along with many earlier Spidey issues—brought to life by the incomparable Steve Ditko, who co-created the character and plotted many classic Spidey tales—at a local used book store (this was before the days of comic book shops) and lost myself in the magical world that Lee, Ditko, and Romita created. Peter Parker entered my life then and he’s never left.

As much as I adored Spider-Man as a reader, it was as a writer that I really fell in love with the character. Peter Parker is perhaps the most emotionally and psychologically real protagonist in any superhero universe. Sure he wears a mask and swings around on a web-line, but, beneath that mask, he’s as confused, as flawed, as touchingly, wonderfully human, as the people who read, and write, about him. The book may be called Spider-Man, but it’s all about Peter: a decent, compassionate young man who’s always struggling to do the right thing.

I think that’s what I love most about Spider-Man (and why his popularity has continued, pretty much unabated, for all these years): his humanity. His decency. No matter how discouraged he may be, no matter how often he fails, he always picks himself up and tries again; and every time Peter Parker triumphs, it’s a triumph for all of us, because he’s such a wonderful example of the human spirit at its best. Spider-Man both mirrors our weaknesses and inspires us to reach for our highest ideals—and that makes for a truly timeless character.

And a massively relatable one.

I don’t know if I’d want to spend a Saturday night hanging out with Bruce Wayne or Reed Richards, but I’d most certainly want to spend an evening enjoying a good meal—talking about life, the universe, and everything—with Peter. I think that’s why those of us who’ve been lucky enough to chronicle Spider-Man’s adventures have simultaneously found ourselves in the character and infused him with our own doubts, fears, and highest aspirations. As we write about Spider-Man we inevitably merge with him. And I think Spidey’s millions of fans share the same experience as they read his comic books or watch him bound across a movie screen. In some strange, wonderful way, we’re all Peter Parker.

I’m honored to have had the chance to journey along with Peter and add to his ongoing, ever-evolving mythology.

©essay copyright 2025 J.M. DeMatteis