Tuesday, January 15, 2019

SPIDEY SWEETNESS

Check out this screen-grab that a sharp-eyed Spidey fan over on Twitter just sent to me.  It's from the trailer for the new Spider-Man movie, Far From Home. Peter’s on a class trip to Europe, sailing the waterways of Venice.
Look at the name of the hotel.


What a sweet acknowledgement!

Friday, December 21, 2018

AND SO THIS IS CHRISTMAS!

So many holiday classics reappear—like reindeer soaring across the sky—on our television screens every Christmas:  Miracle on 34th Street...It's a Wonderful Life...A Christmas Carol (to name three).  Here at Creation Point we have our own Yuletide tradition, a short Christmas tale of mine called The Truth About Santa Claus:  offered annually as a kind of cyber Christmas present.  My way of wishing all of you who visit this site the happiest of holidays and the most magical of Christmases.  I offer it again this year—along with a trio of wonderful illustrations by my friend and collaborator Vassilis Gogtzilas.  So while you're sitting by the fireplace waiting for Santa to descend, sit back, relax and enjoy!

THE TRUTH ABOUT
SANTA CLAUS

“THERE IS NO SANTA CLAUS!”

He’d been thinking about it for days—ever since he heard Big Mouth Jenny Rizzo announce it on the school bus—and he didn’t believe a word of it, not one word.  (Well, maybe ONE.)  But Cody had to be sure, absolutely, positively sure—

—and that’s why he was hiding behind the couch at midnight on Christmas Eve.



His mother was there, asleep in his dad’s old easy chair, the reds and blues of the Christmas tree lights making her look peaceful and happy and impossibly young.

The tree, by the way, had not ONE SINGLE PRESENT underneath it.

That didn’t make sense.  If there WAS no Santa Claus, if his mother was the one who bought the presents, wrapped the presents, stacked them under the tree, then how come she hadn’t done it?  How come she wasn’t awake RIGHT NOW arranging them all?

He got scared.  Maybe there wasn’t going to BE a Christmas this year.  Maybe Mom had lost her job and they didn’t have any money and so she COULDN’T buy him any presents and—

And then Cody glanced over at the windows and noticed that it was snowing.

Or was it?

If that was snow, it was the WHITEST snow he’d ever seen.  It was snow as bright as moonbeams, as bright as sunlight, as bright as...

Stardust.

Quickly, but quietly (he didn’t want to wake his mother), he scurried to the window and looked out.

It was coming down and coming down and COMING DOWN all across town, whirling and whipping, spinning and gyrating, out of the night sky.  Glowing so brightly that it almost hurt his eyes to look at it.  And Cody saw that it certainly wasn’t snow, and it absolutely wasn’t rain, it wasn’t ANYTHING he’d ever seen before.  But each drop, no...each flake, no... each BALL of glowing WHATEVER IT WAS, seemed to pulse and spin, soar and vibrate, as if it were alive.

And the stuff, the magical WHATEVER IT WAS (and he knew now that it was magic.  He just KNEW), wasn’t collecting on the streets, wasn’t piling up on the rooftops.  It was MELTING INTO (that’s the only way he could put it:  MELTING INTO) every house (no matter how small) and apartment building (no matter how big).




EVERY house and apartment building.

EVERY.

He looked up.

And there it was:  coming RIGHT THROUGH THE CEILING of Apartment 3F, HIS apartment, swirling, like a tornado of light, around the chandelier and then down, down, down—

—STRAIGHT FOR HIS MOTHER.

At first he almost yelled out a warning, “Mom!  Wake up!  MOM!”  But something made him stop.

Instead of yelling he ducked back behind the couch and watched, eyes peering over the top.

Watched as the light-tornado wheeled around his mother, so fast, so bright, that he could hardly even SEE her.  But he COULD see her.  Most of her, anyway.

And what he SAW...

The light poured in through the top of her head, through her eyes, through her chest, through her toes.  It lifted her up—still sleeping!—and carried her out of her chair and across the room.  And as she floated—

—she started to change:

Her hair became white, her nose became red, her belly ballooned like the most pregnant woman in the history of the world.  Her feet grew boots, her head grew a hat, her nightgown grew fur.  An overstuffed sack sprouted, like a lumpy angel’s wing, from her shoulder.  And then—

AndthenandthenandTHEN, it wasn’t his mother there at all, it was him, it was SANTA CLAUS!  STANDING RIGHT THERE IN CODY’S LIVING ROOM!  Santa Claus who, with a laugh (exactly like the laugh Cody always knew he had, only better) and a twinkle in his eyes (exactly like the twinkle he’d always imagined, ONLY BETTER) reached into his sack and pulled out package after package, present after present, and placed them, carefully, like some  Great Artist contemplating his masterpiece, under the tree.

When he was done, Santa Claus stood there, grinning and shaking his head, as if he couldn’t BELIEVE what a beautiful tree this was, how wonderful the presents looked beneath it.  As if this moment was the greatest moment in the history of Christmas, as if this apartment was the only place in all the universes that such a Christmas could ever POSSIBLY happen.

And then the MOST amazing thing happened:

Santa Claus turned.

He turned slowly.  So slowly Cody couldn’t even tell at first that he was moving at all.  And—slowly, SLOWLY—those twinkling eyes, that Smile of smiles, fixed itself on the two boy-eyes peering, in wonder, over the top of the couch.


And what Cody felt then he could never really say:  only that it was better than any present anyone could ever get.  Only that it made his heart so warm it melted like magical WHATEVER IT WAS, trickling down through his whole body.  Only that it made him want to reach out his arms and hug Santa Claus, hug his mother, hug his father (and FORGIVE him too, for running out on them) and his aunts and uncles and cousins (even his Cousin Erskine who was SUCH a pain) and Big Mouth Jenny Rizzo (who really wasn’t so bad most of the time) and all his  friends and teachers and the kid in his karate class who always smelled SO BAD and, embarrassing as it sounds, it made him want to hug everyone and everything in the whole world including rabbits and snakes and trees and lizards and grass and lions and mountains and, yes, the EARTH HERSELF.

Cody wanted to hold that gaze, to keep his eyes locked on Santa’s, forever. (Or longer, if he could.)  Wanted to swim in that incredible feeling, drown in it, till GOD HIMSELF came down to say:  “Enough!”

Except that he blinked.  Just once.  But in that wink of an eye, Santa was gone.  Cody’s mother was asleep in the chair again and, for one terrible moment, the boy thought that the whole thing must have been a dream.

Except, under the tree:  THERE WERE THE PRESENTS.

Except, out the window:  THERE WAS THE SNOW, the rain, the magical WHATEVER IT WAS, shooting up, like a blizzard in reverse, from every house, every apartment building.  Shooting up into the heavens, gathering together like a fireball, like a white-hot comet—

—and fading away into the night:  going, going...

Gone.

Without so much as a tinkling sleigh-bell or a “Ho-ho-ho.”

Not that it mattered.

Cody looked at his mom.

Cody kissed her.

“I love you,” he said.  And he was crying.  Happy tears.  Christmas tears.  Like moonbeams, like sunlight.  Like stardust.

Mom stirred in the chair, smiled the softest sweetest smile Cody had ever seen. “I love you, too,” she said.

And then she drifted back to sleep.

Cody sat at her feet, warming himself, warming his SOUL, by the lights of the tree.

And soon, he, too, was drifting off to sleep.  And as he drifted, a wonderful thought rose up, like a balloon, inside him.  Rose, then POPPED—spreading the thought to every corner of his mind.  Giving him great comfort.  Great delight:

“One day,” the thought whispered, “when you’re all grown-up, when you have children of your own.  ONE DAY,” the thought went on...

“It will be YOUR TURN.”

Merry Christmas.

Story ©copyright 2018 J.M. DeMatteis
Art ©copyright 2018 Vassilis Gogtzilas

Sunday, December 2, 2018

BALLOONING

Had a great conversation with the great John Siuntres for his Word Balloon podcast. We covered everything from Constantine: City of Demons to Impossible, Inc., The Girl in the Bay and the state of superhero cinema.  You can listen to the show below:

Tuesday, November 20, 2018

STAN AGAIN



I’ve been looking at various press reports on Stan Lee's passing, most of them sincere, some of them extraordinarily inaccurate. Saying, as one did, that Stan was just a guy who "filled in the balloons” in stories by Jack Kirby and Steve Ditko is as wrong as saying he created all those stories and characters himself. And to laud Stan as a superb PR man (which he was:  Without Stan’s ability to sell Marvel to the public—to charm, coax and cajole an entire generation of readers—those books, no matter how brilliant, might never have found an audience) while dismissing his contributions as a writer is just as bad.   

The reason some folks are resentful of Stan is because for years the Marvel Myth portrayed him as the genius behind it all, while the artists just drew his stories—which we know wasn't true. By most accounts (and here’s Stan himself talking about it in a 1968 interview), the plots for the early issues were collaborations, with significant input from Lee; but, as time went by, both Kirby and Ditko were plotting the stories solo, creating characters and whole universes out of their imaginations. They were both visionaries and their contributions to Marvel were incalculable.


That said, Stan did so much more than just write copy that mirrored the artists’ stories. Only people who don’t understand how comics work could think that. As I know from personal experience, you can profoundly change a story in the dialogue stage, bending plot and character to your vision. And as both editor and scripter Stan had tremendous leeway...pun intended...to do just that.  (I’ve heard tales of Stan actually cutting pages of artwork up and then pasting them back together—changing the order and meaning of those pages—so that he could tell the story his way.) In fact, some of the bitterness that arose between Stan and Jack, and Stan and Steve, was because Stan changed things in their plots that they viewed as fundamental.


In the end, the key word is collaboration. Lee and Kirby—who co-created the bulk of Marvel’s characters in those early days—were like McCartney and Lennon: the creative tension, the conflicting visions, the desire to one-up each other, made the stories stronger. Same with Lee and Ditko (who was, perhaps, the Bob Dylan of 60s comics?) where, from all reports, that tension was even stronger.  Together they created something that they never could have created alone. It’s not one side or the other—it’s not “there’d be no Marvel without Stan Lee" or "without Jack Kirby" or "without Steve Ditko."  It was all three. Each of these men brought a unique point of view, and unique talents, that, when melded together, birthed the Marvel Universe. That creative Big Bang changed comic books forever.

And we’re all the better for it.

©copyright 2018 J.M. DeMatteis


Wednesday, November 14, 2018

NERDS

Here's a conversation I had with the Just Us Nerds podcast, discussing Constantine: City of Demons and other fun things.  Enjoy!

Monday, November 12, 2018

A LITTLE MORE STAN...

I have friends in the business who knew Stan Lee well and spent lots of time with him, but I only encountered him face to face on a couple of occasions.  In 1980, when I’d just started working for Marvel, Stan was still occasionally in the office.  One day I was making copies of some Gil Kane Conan art when Stan ambled up with some papers he needed to copy.  Like a loyal courtier I allowed the king to use the machine first—and I wouldn’t be surprised if I bowed as I humbly backed away!    

Years later—I think it was 1997—when I was working with producer Chris Columbus and director Carlo Carlei on an early incarnation of the Daredevil movie, I came home to find a message from Stan, telling me, with great enthusiasm, that he’d read my treatment and thought it was the best filmic interpretation of a Marvel character he’d ever seen.  I was, as the British say, gobsmacked and quickly called him back.  I’d like to say I was more confident than I’d been all those years before, but I was still intimidated by this man I’d adored since I was twelve years old and barely grunted out my words of thanks.  But when I was in Los Angeles a few months later, I called Stan and he invited me to have lunch with him at the fabled Friar’s Club.  This time I was able to actually form coherent, reasonably intelligent sentences and we had a lovely meal.  But the whole time there was a star-struck kid in my head screaming:  "Holy crap!  It’s Stan Lee!  I’m having lunch with Stan Lee!!


That star-struck kid is incredibly sad today. 

And so am I.